Archive for the ‘News’ Category
There are many things that identify a city–the location, the food, the weather, the music, the culture, the pace of life. All solid, wonderful indicators of the character and soul of a locale. Another one of those indicators, and often a big piece of the puzzle of any metropolis, small or large, is the local sports teams. It’s incontrovertibly true. You don’t even have to be a sports fan to acknowledge it. When the ball team does well, the heartbeat of a city quickens. Read the rest of this entry »
Last year, about this time, I taught at a conference called Luminance, put together by PhotoShelter. It brought a hugely diverse group of talents and interests together under the same tent. One of those very talented people was Allen Murabayashi, the CEO of PhotoShelter, and orchestrator of the conference. His neighborhood in NY is lower Manhattan, and in 2001, he actually lived just by the Trade Towers. We got to talking, and he showed me a picture on his Iphone he had made on 9/11, with the crisp blue sky, and the fires arching upwards, bent on destroying the buildings. It was like a punch in the gut, as pictures from that day are, I’m sure, for many, even now.
A year later, both Allen and PhotoShelter have stepped up on behalf of the collection Giant Polaroids known as the Faces of Ground Zero, and are partnering with me in preserving the collection, and hosting my website. It is a welcome, welcome partnership.
I have managed, sometimes just barely, to keep this collection of huge images, consisting of portraits made of people whose lives intersected the events of that day, together, and safe, in museum quality storage, for 12 years. There are numerous large crates, some weighing in at about 2,000 pounds. Storing 24,000 pounds of anything carries a price tag, especially artwork that requires certain atmospheric parameters. What PhotoShelter has done has been to step up and help, and to individually sponsor two of the images into the permanent safekeeping and care of the 9/11 Memorial Museum.
I look forward to many years of collaboration, not only in the realm of portfolio displays, internet presence, and projects with this group of creative folks. If you go to my website, you’ll see new work, and an updated look to the pages.
My thanks go out to Allen, Andrew Fingerman, Chris Owyoung, and Drew Gurian for orchestrating this new website in such smooth fashion. And to the entire PhotoShelter organization for helping to preserve these pictures. They join with Adorama, who has been a friend of the collection for many years, in this ongoing dozen year effort. The museum will be a reality shortly, and with this boost, we might just make it.
This type of wonderful collaboration reminds me yet again that the photo community is indeed, a community. More tk….
Trademark cigarette drooping from his lip, Tom Clancy stands in the calm swirl of the Chesapeake Bay, a body of water which occasionally had a mention in his novels, in 1988. He was in the throes of the amazing success of The Hunt for Red October, followed on by Red Storm Rising, and many others. He had 17 of his novels hit No. 1 on the New York Times best-seller list. Read the rest of this entry »
First off, many thanks to the Kelby clan for inviting me to Vegas to teach at PhotoShop World. It was a hoot of a week. I’ve been doing my own “pre-con,” during the last couple of gatherings of the PhotoShop tribes, and they, too, have been fun, and hopefully, informative.
This one was special, in the sense we had several astonishing performers who regularly appear in Cirque du Soleil shows in LV as our subjects. These supremely gifted artists are a magnet for the camera and the imagination. We also had the amazing Drew Moore, a character actor out of LA, who offered his considerable presence and baleful “tough guy” stare to the proceedings.
In the above, I purposely chose a tough backdrop in bright sun, with a blaring Budget Rental truck in the parking lot. In bright sun, at f16, the truck is especially obnoxious, so I showed the class how to minimize that distraction via the technique of high speed sync flash, with one SB-910, a D4 and a fast 28, shot at 1/8000th at f1.4. With that combo, the truck recedes in importance.
Performers flipped, flew and leaped for us all day long. Much of the arranging was thanks to Adam Silversmith, a Vegas based shooter, who works with the Cirque folks a great deal. Kudos to Adam for lining up spectacular subjects!
We also had a huge assist from Jan Lederman, and Jason Friedman of MacGroup USA, who charged down to Vegas with new developments in flash photography to show the class. On a couple of sets, we used Bowens flash units, which have amazing electronics, and we had a steady light set going with Limelight, the Bowens line of constant light sources. Both sets were hugely popular, and the cast and crew had access to the latest innovations in different styles of lights.
The heavy lifting of building all the sets and the light fell to Cali, and Jon Cospito in our studio, ably supported by my friend and fellow photog, MD Welch, the magnificent madman of Reno. He threw a tank of gas in his truck and bombed down out of the desert (“on the roads it was a white line nightmare”) to help us out. The pix in this blog are courtesy of the aforementioned gentlemen.
Add to the mix the great location of Shine Alternative Fitness in LV, and we had an amazing day. Thanks to all the performers, participants and crew! More tk….
Nikon had big news last week, launching at long last an official Ambassador program, which includes a small field of long time Nikon pros. Very humbled to be included with this group of stalwarts. I could go through the list and make some guesses, but suffice it to say, there’s most likely about 400 years or so of experience behind the camera sprinkled amongst us.
Which is not say the group is a bunch of grizzled old salts. There are fresh, young, talented faces like Lucas Gilman, Andrew Hancock and Dixie Dixon mixed in with veterans such as Ron Magill, Bill Frakes, Cliff Mautner, Corey Rich, and Moose Peterson. In terms of skill set, you have the makings of a really good picture agency here, as the various members of this diverse crowd can pretty much cover the waterfront, photographically, from fashion to sports to news to wildlife to portraits and weddings.
Many thanks to Nikon for stepping forward in a good direction to partner a community of photogs who have shot their cameras through all sorts of subject matter–politics, war zones, Super Bowls, Fashion Weeks, Nat Geo ends-of-the-earth type locations, bridezillas–you name it. Further thanks go to my blood brother, Mike Corrado of Nikon, for whom shaping this program and pushing it to become reality was a long and steadfast labor. Good job all around.