As the bhagwan said, “The only thing certain is change,” and that’s definitely the case with digital camera stuff. Nikon announced a new flash today, the SB-910. It’s actually not really a brand new flash, but rather a collection of tweaks to the existing 900 model.
Absolutely the most important adjust is in the area of heat management, which has definitely been an issue with the 900, of which I have fried at least two in the course of time. From what I know of the electronics of the 900, they’re designed for fast recycle, and thus build up a heat component. The engineers, being the sane and safe souls that they are, installed a thermal cutoff in the 900, which is designed to shut the unit down prior to meltdown. I have always argued with the folks at Nikon that the cutoff feature should be coupled to a klaxon horn on an interval timer, blaring every five seconds or so, with an ominous voice intoning in between warning honks that imminent evacuation is highly advisable. Think Sigourney Weaver rescuing Newt at the end of Aliens.
They didn’t go for it.
But, in this unit, they did take the whole heat thing seriously, and it appears to be much, much better in that regard. Borrowing from the SB-700, there is improved thermal cutoff technology. Much more consistent, continued performance when pushing the unit hard.
This is opinion only, not hard scientific fact. I got a last minute call from Melville, asking me if I could shoot (quickly) a package of pictures to accompany the release. It took me about .5 seconds to say yes. I did what I usually do–take ’em into the field and try and knock the bejeesus out of them. I had ran them pretty hard for three days, trying to use them in different ways. For instance, the above pic is shot with three units together on a Tri-flash, spreading out the light, running at 1/4 power each. My light shaping tool? Uh, see below….
Thank goodness for battered, white trucks parked in fortuitous places. I didn’t have a big soft box, so this worked out as a light source as Jonathan went all sorts of Superman off the brick wall. Which he is amazing at doing. The below was shot with one flash, roughly on axis with the sun, powered up full. It produces a double shadow of Jonathan, generally to be avoided, but here, I liked it. It actually extends the shadow of his legs in a fun way.
The good news on the timing was that I was able to drive those long suffering folks at Peachpit just a little more crazy than usual, and we held my book for a few days to insert a small chapter on this updated light maker.
Sketching Light is on the press right now, and will ship in about 10 days. I have many apologies to offer for delays in writing this puppy. It took a while. The good news there is that it delayed just long enough to be the first book to have a look at this new stuff. More on Sketching Light in day or so, but, thankfully, it’s real, and done, and about to ship. It’s also, BTW, 420 pages. Yikes. As the sub-title suggests, it’s all about the possibilities of light. Lots of pictures, most of them driven by one source. Sketches, metadata, production pix. The whole skinny on each picture. Now that it’s done, I can honestly say it was fun to write.
Back to the flash. It’s got a couple new features, like click-on, hard plastic color conversion gels for tungsten and fluorescent, a dedicated menu button, and a locking feature on the battery compartment. And, the buttons are backlit, handy for night shoots, for sure.
I took them into a bar. (Where else at 10am?) And knocked out a multi-flash portrait of Jake, which was fun to do. Six flashes, all told, all TTL. Shot with fast glass, 35mm f1.4, at f1.4. Production snap below.
More on these TK, and in the book.
Summing up: Physically, a little bit sleeker and smoother. There’s a design continuance with the SB-700, so if you use that flash, this one will be a no brainer in terms of buttons and dials. Some other small stuff, mentioned above, that’s helpful. But the biggie is the heat management. They seem to wrestled with that particular SB-900 demon pretty successfully. In the three days in the field I had with them, they only complained a couple times, but kept performing, and kept exposures consistent. I used them in the studio and in the street.
Here, with Jasmine in the studio, I really pushed the overhead main. It is firing into a Flashpoint beauty dish, with a honeycomb grid over it, and running at full power. The background streams of light are from 1k Arri’s, constant, daylight balanced sources. The fill is another 910, skipping off the floor.
The main light kept up pretty well, and I was shooting fast, trying myself to keep up with the ever fluid Jasmine. I purposely shot it before it recycled, just to see, frankly, if I could fry it. There was some exposure variance, but it hung in there, and kept working. During a shoot like this with the 900, the 900 most likely would have given up, and I would have had to replace it with a fresh flash, or certainly fresh, cool batteries. So, there’s definitely improvement on a speed light that’s already pretty smart.
More tk, on the flash, and the book…..