Garvey’s hands, with the duty board of the Soufriere Fire Station.
Been coming to St. Lucia for almost 18 years, now, ever since Travel Holiday magazine sent me to paradise in 1994 to shoot a leafy place called Anse Chastanet. I have been here maybe a dozen times since then, and have dear friends on the island. The place is now called Jade Mountain/Anse Chastanet, and it remains remarkable in its’ beauty, made complete by the warmth of the St. Lucian people.
Wandering Soufriere about three years ago with Scott Kelby, who was guest lecturing at a lighting workshop I gave here, we literally just stumbled upon the Soufriere Fire Station, and thought we’d take a look inside. Nothing was planned, and they weren’t expecting us. So needless to say, when firefighter and avid photog Garvey Charlemange realized Scott Kelby was actually in his firehouse, he went to four alarms.
Garvey is one of Scott’s biggest fans, and needless to say his jaw hit the floor faster than a dropped rock. It was as if Garvey had just clicked “scottkelby.com” and, via the magic of the internet, there was Scott, saying, hey, maybe we could shoot together.
We’ve been visiting the fire station now every year, shooting pictures of Garvey and his mates, who are terrific. Last year, we had wrapped our day there, finished the workshop and gone home when Hurricane Tomas hit. It was a massive storm, and the aftermath was a tough time for the guys at the house. Lots of round the clock rescues and recovery efforts were done, all with limited gear and equipment.
The photo business is about giving back, right? I’d never even know these guys if it weren’t for photography. When a photograph is made, at least some of time, a bond is also created. They invited our workshop into their shop. So, right after the hurricane, we sent workshop money back to the fire house. They were very grateful, and Garvey told me yesterday that the dough was directly used to help victims and buy new gear.
Garvey also invited these young lads into the firehouse for a quick portrait session. They combine to prove that kids in front of a camera are the same anywhere in the world. They can only hang onto it for just so long.
This is a lighting workshop, but all of the above were shot with available light. The shot of Garvey’s hands was actually shot after the sun was well and truly down. ISO 1000, D3S, 24mm lens, Lexar cards.
Home Sunday. More tk…..