When I wrote yesterday of Melissa leaping into the big Octa, that was what she was doing. I should have been more clear, ’cause there were a couple questions about the light. There is a backlight as well. Didn’t mention it ’cause it wasn’t the main, and I was so tired when I wrote that blog that my head was about to hit the keyboard. That would have been embarrassing. Might have even hit the publish button in that instance and the whole blog would have read…..zzzzzzzppppppppppppwwwwwwwww…
So, to be more precise, the backlight here is the big Rotilux strip light, also an indirect softbox, along the lines of the Octa, just long and skinny. To get more punch out of it, as it is firing from a good distance, we stripped the diffuser off of it, and simply used it undiffused, bouncing off of the interior skin of the box. That brightens the quality of the rear highlight off Mel. So effectively, she is bracketed by these two big light sources.
Also didn’t mean to suggest that the big Octa solves all your problems in the field. If there were a softbox like that, or even a pill like that, I would have taken it long ago. It’s just one of those lights, you know, that is so broad and so beautiful, that well, you put it up and most of the time your subject gets a ticket to dreamland.
Here’s another from the weekend.
We threw this together fairly quickly on stage. Will’s light is a strip light as well, but a small strip, about 1×2 foot, with an egg crate dropped over it, thus corralling the light pretty tightly. Background is an SB900 firing on SU-4 mode, and driving off the pop of the strip, which is has a Quadra head in it. Third light provides the glow on his hands, and that is another SB900 on SU-4 mode, just flicking lightly off a gold Tri-grip reflector laying on the floor to camera right. Wanted to go with gold in this instance to provide a little color vibration with the blue tones of the background.
The light shaper for the background is a wooden cargo pallet we found on the loading dock. We put it up on an angle, zoomed the 900 unit to 200mm (very punchy) and gelled it with a deep theatrical blue gel. Bang, the background gets a touch interesting.
Still in Canada. It was beautiful in Vancouver yesterday, but I’m shooting outside today, so it’s bound to be raining….more tk….