Archive for the ‘Stories’ Category
Summertime, officially. Right here in NYC. This time of year comes round, and I love going to Manhattan again, enjoying the late light, and the kinda clear skies of May. It’s still cool enough, and the heat of August hasn’t risen up and shrink wrapped the city in a dirty brown, clinging smog.
It was about this time of year I shot this…..
105 stories up on the Empire State Building, the true grand dame of all buildings. Not the biggest, just the most storied. I have always loved climbing around up there. I’ve got this little niche…hell, it’s not even a niche, it’s more like an on again, off again hobby, kind of like a vacation type scuba diver who only goes in when the water is clear and warm. That morning, on assignment for the book America 24/7, I worked once again with my friend Tom Silliman, an engineer and fearless builder and climber of antennas. One SB80 by the way. My assistant at the time, a terrific shooter named Alicia Hansen, had to bury the flash in her, well, under her, uh, chest, and shield it from all the other transmissions up there, cause they were driving the flash nuts.
I had met Tom shooting this….
This was one of those jobs. Had the bright idea of putting a different twist on changing a light bulb for a story called “The Power of Light” for the National Geographic. I thought to myself, okay, we can do this. I’ll take a picture of them changing the bulb at the top of the Empire State. What could go wrong? Well, lots, as it turned out. First climb, I was competing with Ripley’s Believe It or Not television program, believe it or not. They had a chopper floating around out there, and had the notion of wanting to see the light come on and off while Tom was just approaching it on the antenna. Things went haywire with their communications, and, after slogging my way up the antenna to about where I was oh, 15 feet shy of it, the light shut off. I mean I’m hanging there in my harness, and the bulb’s dead. Had to settle for this, and crop the top of the antenna out of the frame. Wasn’t what I came for.
Crazy. Bulb’s dead, and there I am, wearing the only light in the joint, my headlamp. Shot from a chopper by a really good photog, Jim Anness, then of the Bergen Record.
Sheesh. I was not in shape for that climb. The antenna at that point is like a telephone pole at 1500 feet. It moves around a lot, and has climbing pegs on either side of it. As I came down the pegs, my hand cramped on one of them. Had to reach around the pole and pry my fingers off of it. Otherwise, I might still be up there, kind of french fried, hanging off the side of one of the biggest microwave transmitters in the world. I think they have a power setting on the antenna called “london broil.”
I got my chances up there because of a truly great New Yorker, Alex Smirnoff.
Alex was in charge of what they call the mast operations at the building. He was always approachable, and he instinctively knew that the Empire State wasn’t just a building. It’s the centerpiece of NY, an important piece of the history of the city crafted in limestone and granite, and it was built to be photographed. He had a job where the easiest thing, always, would be to say no. But being a gentleman who appreciated the beauty of the building, he said yes. I remember breathlessly trying to give him a rationale for a particular climb, and I heard him chuckling at the other end of the line. “Don’t give me that crap, Joe, you just like to climb stuff,” he said, in his kindly fashion. A great man, who sadly, has passed on.
All this silliness began many moons ago, about the time I came to NY. I was a copyboy at the NY Daily News, a real rube in terms of NY press photography, but I was determined to impress my boss, Eddie Peters, and I requested a loaner of the Nikkor 15mm wide angle, the only one in the department. I was gonna climb the Queensboro Bridge with it, cause they were repainting it. Things were looser back then. I walked onto the bridge, talked the workers, told ‘em I was from the News, and started climbing.
This was also a good lesson in what I was worth as a photog. Eddie loaned me the 15mm, a very expensive lens, with considerable doubt in his eyes. This green, untested kid was taking one of the most valuable pieces of glass the newspaper owned. He looked at me, and asked if I would do him a favor. “Sure,” I said. He said, “If you fall, could you find a way to leave the lens behind?”
I was off to the races with this climbing thing. Next up, the north tower of the World Trade Center.
At that time, no harnesses, no zorbers, none of the sophisticated safety stuff we have now. I had a belt and a rope, and, well, not much in the way of brains.
That climb up the tower was a one off, but I did return to the Empire State a number of times. Put Donna Weinbrecht, America’s freestyle skiing champion up there….
And of course, a long time ago, in the middle 80’s, on assignment for Geo magazine to shoot a story on gargoyles, I went up the Chrysler. Little did I know at the time this gargoyle would become like one of those “picture spots,” you know, like they have at Disney, markers telling you if you point your camera this way, a good picture results. This has become, over time, a very popular gargoyle, especially with photogs. Me being me, of course, I am hunched over with a flash meter taped to a monopod, getting the read from the strobes I have on a portico several stories below.
There’s that damn “safety” belt again. I tell ya, glad we got harnesses now. If I had fallen with that thing, it would have saved my neck but broken my back.
Got this, available light…
And this, later, with flash.
I know, I know, the available light is nicer…..oh well. Shows me what good it did to drag Speedotrons up there
Had some funny, stupid stuff up high as well….King Kong on the Empire State…
And this one up the old Coke sign at the north end of Times Square. That’s all some sort of lcd, led, computer driven display now. Makes sense. Musta been a bitch changing all these bulbs.
The weather breaks like this in New York, and I find myself looking up still…..more tk
Knocked around the city last week with a great group of folks. Been a long time since I’ve done that, picking up a camera and wandering the streets of the city, looking for pictures. Truth be told, I’m not much of a street shooter. I’ve always needed the box of an assignment, a destination for the pictures, and some sort of narrative in my head, however hazy, that directs my efforts. But last week, out on the avenues, the boardwalks and the eateries of Manhattan and Brooklyn, it was fun.
We freelanced it a great deal. Bogging down on the lower East Side, with a guide who seemed absolutely pre-occupied with telling us why a building might have been important 100 years ago (all valid information, just not to us, cameras in hand, index fingers twitching in sync with our focus eyes, desperate for a lively frame of street life). We dismissed her and I headed us into Katz’s Deli on Houston, a place I have always had good luck shooting. Thankfully, some things don’t change, and we were welcomed.
This gentleman was checking the food tickets at Katz’s, and one of our group, Lex, had misplaced her’s. He went by the rules, not allowing her to leave, until she found the ticket. Sensing Lex’s immediate future might involve washing dishes, I looked over at the guy, and told him he reminded me of Hollywood actor Delroy Lindo, which was the truth. He relaxed a bit. I then told him that if I had an assignment to photograph my 10 most favorite, interesting faces in Hollywood, Lindo would be on my list. In lieu of getting such a job, I asked if I could take his picture. While all this was going on, Lex found her ticket.
We went out to Nathan’s on Coney Island, a place with hot dogs of such stature that the very sizable fish just plucked from the ocean will have to wait.
Closing time on the the Boardwalk. Closing time for Coney Island as we know it may be coming soon with the advent of new developments.
All in all….fun on the street.
Lessee…onto my own personal area of expertise–computer technology. This is a strength I share with my bud, Moose Peterson. We are down right now in the Outer Banks, on another DLWS adventure. He recently blogged his method of organizing files. Very cool. Good, straightforward, essential, completely boring information.
He knows all that, but it is his lot in life to explain stuff like this to folk like me, who are organizationally challenged. I have written right here in this blog that Moose is a walking, talking main frame who can accomplish more in a one hour concentrated burst of energy than I can in, say, a week. I daydream. I look up movie quotes. I stare at pictures of Annie. I make coffee. I nap.
But Moose’s folder blog really lit a fire under me. I thought, hell, I can do that. I use Aperture, a really elegant, versatile program. Just gotta figure out topics, and general headings, and load my stuff into those respective folders. Piece of cake.
This just about covers it. I feel better. I can really find stuff now…..more tk……
In the summer of l976, a youthful goofball named Mark Fidrych blew fastballs past just about everybody with a bat in their hands on the way to a 19-9 record, a 2.34 ERA, and the Rookie of the Year award. America’s pastime grew more and more fun with each start, as the Detroit youngster with a ball cap stuffed onto the hay bale of hair on his head threw strikes, talked to the ball and skipped about the mound like a three year old in an FAO Schwartz.
He was having fun, and so were we. Then he blew out his arm. Tried a comeback or two, but the zip was gone, and hitters he once had in a trance were jumping on his stuff. As fast as he hit the national radar screen, he was gone, a rueful footnote. Dang, Mark. That sucked. It woulda been so much fun watching you pitch for a few more years. (I woulda loved to shoot him pitching, but SI never gave me that duty, knowing full well I can’t shoot anything moving faster than tree sap in the wintertime.)
One of SI’s big sellers every year is the “Where Are They Now?” issue. Where do all these big time athletes go? What is their life after the diamond, the field, the court, the rink?
Some years had passed, so Bird qualified for a “where are they now” treatment. The Bird was back on the radar. SI was wondering where he had flown. The editors conferred. “Hmmmm. Who do we send to take pictures of this zany, eccentric chatterbox of a former athlete who still seems to live in a fantasy world?”
The first time I met up with Mark, he was making a go of it as gentleman pig farmer just outside of Boston. He approached me and the story carefully, as one would who had the experience of the world’s media pounding on his door and screaming for his time and then blowing away like yesterday’s newspaper. He had learned the hard lessons of fame, and exactly how ephemeral all that bullshit really is. So we took it a step at a time.
But he warmed up. Didn’t take long. Mark was such a bubbling life force that he couldn’t hold himself back from engaging. Remember, he used to talk to the frikkin’ baseball on national TV. Reserved is not the adjective for Mark, at least for long.
We talked, we laughed. I got on my knees into a bunch of pig shit to shoot him. A neighbor’s youngster watching the whole deal called him a buckethead. I agreed. Then he called me that, too. Again, I agreed. A pair of bucketheads, out there in the mud.
More years passed. Once again, SI wanted to know about the Bird, and wanted to know big time, like, you know, cover story. “Lessee, Fidrych is still a nut job, right? McNally available?”
This time I went back out there at the behest of my dear friend Mo Grise, now Mo Cavanaugh. Jesus, I miss Mo at the other end of the line. As an editor, she was that wonderful blend of empathy, enthusiasm, love of photography and the engagement of people that making good pictures requires. She’s a mother of two now, with a third on the way, and I daresay, she left the picture game at SI just about the right time. We went up to Massachusetts together, to meet the Bird, along with another feathered creature, Sesame Street’s Big Bird.
Days like that are the reason I have been a shooter for 30 years. Dreams of more days like this are the reason I remain a shooter. Met Mark again, and we just smiled. One more time around the block. Pair of goofballs, out there now with a yellow, nine foot, talking bird.
I also rented some baby chicks, which Mo had a helluva time wrangling, cute as they were. Little suckers are apt to go anywhere. I put the tiny darlings all over Bird, and he got down in grass and played with ‘em just like, you know, a kid.
Lost the cover. Lost it to a grouping of the very first iteration of the Dallas Cowboy cheerleaders. (I was shooting for SI, you may remember.) I’ve lost so many covers in my career, I don’t even think about ‘em. But this one stung, mostly cause, once again, Bird had ventured. He played the game, opened his door, and his heart, and didn’t get the cover. I felt bad in the way a field person does, that way that a NY managing editor with a regular table at Elaine’s can never know about. You make a bridge, right? You connect. You push a little, prod a touch, and do your job. You come back with pictures, and, on those best of days, something that remains in your heart. A good feeling. Maybe, even, a friend. You never, never promise anything, cause you know how it goes once you drop those pictures into the giant maw of a powerful weekly magazine.
But the promise is there, nonetheless, hanging in the air, the elephant in the corner everybody tries to ignore while they continue pleasant conversation. The cover. Hope I get it. Not for me. Really wanted it for him.
It went away. The story ran, and it was a good story, and by NY publishing calculus, everything was cool. “Hey, he got ink! Who’s he to complain? Story ran, he should feel lucky.”
Yeah, I guess.
It was a good story. One paragraph….
“To feed the hungry furnace of his mortgage, for instance, he now works as an independent subcontractor, laying sewer pipe and doing road repair with the aid of a 10-wheel Mack dump truck he bought in 1986 for $88,000. “The truck has kept the fahm goin’ and kept my life goin,” he says. The other day, though, on a road repair job at afternoon drive time, he accidentally dug into a water main that had been mismarked on the macadam. Which is how Fidrych–perhaps the most famous man in America during its bicentennial summer–found himself standing, forlornly, in the slapstick spray of God’s seltzer bottle. “I don’t know if you evah seen a broken watah main,” he says. “but 100 pounds of pressure through an eight-inch opening, that ain’t no small thing.” No, Indeed, and thus there appeared a geysah ovah Woostah.”
Now he’s gone, killed underneath that damn dump truck. I won’t go to see the Bird again, for another of our ten year reunions.
We had a prop jersey for the shoot. He signed it for me, and I have it framed. He simply said, “To Joe….what it is… Bird.”
Mark was what he was, at every moment. He threw a fast ball right into our hearts, and we loved him for it. Like Peter Pan, he always seemed suspended by wires, floating through a daydream of a life. I’m sure there were dark times, moments and memories. That was never shared with me. The Bird I knew, just a little, was a big kid with a big heart, a cartoon character with a Boston accent, and a slightly, wonderfully cockeyed view of life around him.
The last picture I made of him that day was the Bird walking with the Big Bird, over the hill, and through the grass. Laughing and chattering, as birds do.
Farewell, Mark. Godspeed. What a flight it was…….more tk…..
Out here still trying to get caught up to my life. Running behind everything, per usual. Hit Penn State on Friday, and did a small lighting workshop in the afternoon, and a lecture Friday night. The program at PSU is driven by John Beale, veteran photojournalist from the Pitt Post Gazette, and Curt Chandler, who has forged alot of new ground in multi-media, both at the Post Gazette and at the Penn State program. Great school, great students, all of whom benefit enormously from the real world stuff that John and Curt bring to the party. Visit was orchestrated by my wife, Annie Cahill, from Nikon. It’s great to go with her to places where she is so obviously revered and see the fruits of the 80 hours a week she logs, the emails she returns, and her steadfast, disciplined, relentless professionalism. She brings it, 24/7. By comparison, I’m a non-stop goofball.
Nikon supports the Penn State phojo program, so it was fun couple of hours mixing it up with students and small flash. Sarah, a photo/theater arts major was volunteered to be a subject and turned out to one of those smile machines for whom it is impossible to look bad in a photo. Per usual, she was cringing at all her pix, and my standard response to someone as effortlessly wonderful in front of the camera as she is to remark, “Oh, so if you think you take a bad picture what are the rest of us supposed to do? Put a bullet in our brains??!!”
Used white light flash with incandescent balance to push the look into the cool realm, given the blue seats. Used overhead 3×3 Lastolite and fill bounce off the gold reflector sheet that comes in the Lastolite kit. Zapped a backlight snooted courtesy of Honl. Simple. Fun. About a ten minute portrait or so, with all our yakkin’. Michelle Bixby, another student lens lugger (who was just published in USNWR) volunteered as a subject, which was great cause she gave the folding theater seat a run for its money the way she kind of did a transformer type thing to get all her legs and arms into the frame.
The big upside for us of course, was that John swung a couple of shooting credentials for the Penn State-Indiana football game on Saturday, which, given the blue and white football fever of State College, Pa., is kind of like dialing up a couple of front row seats for Obama’s inauguaral. It was way cool. I hadn’t shot a football game in about 20 plus years, so the rust was pretty thick, plus the fact that even when I was doing it as part of my living I wasn’t very good at it.
Last time I shot, of course, it was all manual focus stuff, and the dividing line between the men and they boys (and trust me, I was one of the boys) was the ability to follow focus. I was a contract shooter with SI at the time, and I saw up close magicians like John Biever, Walter Iooss, Heinz Klutmeier, Johnny I, and Manny Milan just knock it back game after game. You could hang these guys upside down with one eye closed and a bug in the other and they would still be able to fine tune the focus on a 400 or so. Biever especially, had radar. (I think he might have had a contract on the side with Lockheed, when they were developing stealth systems.)
The lenses sucked, too, by comparison to what we have now. I had a 300mm f4.5 that was sharp when you shoved it to critical focus and all, it just took about a week or so to get it there. I put it to my eye once and watched a critter make its way across one of the interior lens elements. It looked like a little inchworm, swear to God. Called NPS and told ‘em there’s something alive inside my 300 and they said it wasn’t just possible, it was highly likely. I used that puppy in the rain constantly, and there was no aqua-techie, Kata raingear and stuff like that. I didn’t want to use it after that, cause with my imagination I kept seeing this eyeball sucking, multi-fanged squiggly thing like the ones in Aliens poppin’ outta my eyepiece, boring its way into my skull and chewin’ up all my inside wiring. Yecchhh!
Anyway, did all right as a first timer in a long whiles. Was shooting the 200-400 f4 which is a non-stop wonder of a lens. The D3 fears not the rain and the gloom cause ISO 1600 looks like frikkin’ Kodachrome. The shot above is a ISO 3200 frame, cropped in half. Crazy. Nice fillip on the D3 is you can program DX crop into your function button, so if the action is on the other side of the field you can add reach to the lens with one flick.
Me and my honey at the ball game. Annie manages to pull off radiant, beatific, even, in a downpour wearing a garbage bag. My face looks like they just used it for punting practice.
Photo courtesy of John Beale…
INNOVATIVE USE OF A C-STAND!
On the way home, over the sounds of the rain drumming and Faith Hill on the country station, we heard…. the sound of a tire rim on concrete? Oh, yeah, Annie’s Honda was skating all over Rt. 80 for a minute while we pulled over, to find that Honda made their jack a tad too short! Wonderful. Maxed out, I still needed another at least half inch to push on the spare. Hmmmm…..no wood block. If I was still shooting a Nikon F, I coulda used that, but wasn’t gonna get medieval with one of my D3’s, and then remembered I had a c-stand! Pulled out the turtle base, put the jack on it, and changed the damn tire.
One of the reasons the blog’s been up and down is I am crashing, late of course, the final writing on my new book, The Hot Shoe Diaries, Big Light From Small Flashes. It’s been kicking my ass. Almost done though, and should be out in about a month or so.
In it, we’ll cover…BRIDES IN THE WOODS! YIKES!
As Donald said that day, “Joe, where the hell is Israel?”
LOW GLOW! OR, DEALING WITH PEOPLE WHO WEAR BALL CAPS!
AND THE EVER SENSITIVE ISSUE OF TRIGGERING TTL FLASHES IN TOUGH TO GET AT PLACES!
SHOULD BE FUN! MORE TK…..
These new cameras are amazing, I tell ya. I fell down on a DLWS shoot and the camera went off and I got this. Cool. Outright cold, as a matter of fact. It was freezin’ out there, stumbling around in the pre-dawn. We were at Calvin Coolidge’s summer vacation estate, and were blessed with good light and frost everywhere. I shot this with the unbelievably sharp Nikkor 105 f2.8 micro and just let it rip on a buffer upgraded D3 writing to a Lexar 8 gigger UDMA card. That combo just smokes, which I was very happy about cause this landscape photography game is rough, man. It’s early morning, I’ve had no coffee, and I’ve just done a face plant on frosted grass, trying to concentrate, and focus, and compose, and remember to program minus EV into the camera, and think about the picture and all the while Mr. Winky’s turning into a popsicle. Sheesh. Time for consecutive high on the motor.
It’s been a rough week. I flew from San Fran to Kennedy last Thursday. Cheapie ticket, but I got up front because I fly Delta so much I usually end up in the running for one of the wide ass recliners. Guy next to me was a hard charger for sure. Sat down, and started reading the paper and immediately threw a section down on the armrest which spilled over into my seat by about 2 inches.
Aha! Armrest competition! Ze games are afoot! Nothing turns me into Hellboy faster.
I immediately put my elbow down on the paper. Now he has to ask me permission to read the rest of the news of the day. Screw with me, eh, pal?
Next I took a spare section of the Times and folded it and slapped it down on the arm rest, so at least 3 inches of it (with guys it always comes down to inches) spilled over on his side, plus making sure it was the folded bit, with a sharp edge, right there over his knee.
Heh heh heh! I positively revel in this immature playground bullshit. Too bad its not AeroMexico. I coulda been a real charmer and double ordered refried beans just blasted my way to JFK.
The paper thing hadda be uncomfortable, but he said nothing. I shoulda been more sympathetic, cause he was reading the Wall St. Journal, so he mighta been a number pusher and things are probably shaky at the office and maybe he just hadda sell one of his homes or some shore property cause he’s worried that little Johnny might not get the GI Joe with the Kung Fu Grip for Christmas. Me, I ain’t got a job, so relatively worry free on that level. I’m not gonna make myself redundant, as the English say. I’m a photographer, and trust me, that’s redundant enough:-)
Now, to get real annoying, I pull out my D3 and turn on the vertical horizon thingy and put on my Bose noise reduction babies and start making like I’m flying the airplane complete with sound effects. Swear to God. He’s looking at me now like I’m nuts and he wants to push the attendant call button, but he’s too cool to do it.
He takes the paper off the armrest and leaves me alone for the rest of the flight. More tk.