Archive for the ‘Seminars & Workshops’ Category
The week of PhotoPlus Expo, which just happens to fall during Halloween this year, promises to be busy. I’m collaborating with long time colleagues at Adorama to stage two straight days of studio lighting workshops, immediately prior to the PPE blowout at the Javits Center.
Here’s the link. We’ll amass a lot of resources, showing off Profoto studio and location systems, as well as speed lights. We’ll have models, manufacturers, demos, and hands on experience shooting for all participants. Gonna be a hoot, and a very rich, busy couple of days investigating lighting strategies and techniques. Any questions you might have you can email [email protected], or [email protected]
We’ve rented the gorgeous spaces of Tribeca Skyline Studios–the whole joint is ours to play with. There will be multiple setups, with expert staff at each one to guide participants through the thicket of both the technical aspects of the lights and shapers, but also the staging and working of a shot.
So again, here’s the link. It just got announced on the Adorama site last week and half the spaces are already gone, so if you are interested in this, best to make the call sooner rather than later. Can’t wait…lighting in my home town.
We did our “Characters On Location” pre-con yesterday in Vegas at #PSW14. Always fun. We had great participants and the usual array of fantastical performers from the Vegas world of Cirque du Soleil and other shows. Great people, such as Manu, above, are a wonder in front of the camera, and very giving of their skills to the class.
Shot on black, with two Profoto B 1 units, fitted with large strips, governed by egg crates. Above Manu is an SB 910, fitted with a gridded Flashpoint beauty dish. (There is a new version out. Contact [email protected]) The SB unit is running on a manual slave eye, and I’m pushing the B 1’s with the very reliable Profoto air remote. Shot about four frames of this as an example and then the class went back to work. Next step, if you choose, could be another speed light up front and low, to light his chest and interior forearms. Thankfully, I get to work with Manu again, later this week.
One of the reasons it’s wonderful to work with dancers and performers of this caliber, as I always note, is they can physicalize your imagination. Many thanks to Vegas shooter Adam Silversmith who puts together these adventures for us. More tk….
It’s been a busy year, so much so, I didn’t get around to doing a KelbyOne live seminar until late June. They are fun to do, and it looks like I’ll do a few more as the year progresses. The Kelby folks actually changed the name of the tour in the middle of things (thanks guys:-) so it is now called “The Power of One Flash.” Good example below. A very patient lady helped me out by coming out of the audience in San Jose for this one flash snap.
It’s a one flash deal, but the flash is ping ponged off a white foam core board. It faces away from the subject, hits that board, enlarges and softens dramatically, and then hits a 3×3 Lastolite Skylite Rapid Diffuser, which is very, very close to her face. When the already bounced light translates through that, it gets really glowy and soft. It’s basically a home made soft box I make on stage.
At the top of the blog, the pic is three flashes, but I don’t get to three until the fourth hour, and only use the that many for about 10 minutes. The rest of the day is pretty much one flash treatments, which I regard as a serious act of restraint on my part.
The gentleman in the hat is lit with two rim lights, off to the sides and behind him. I shot in tungsten white balance, so the white light SB-910 units go blue. With a little underexposure, they get dramatically blue. The front light is a little beauty dish that used to be made by Flashpoint. Sadly, they don’t make it anymore, but I loved the controlled snap of the light, especially when used, as it is here, with a honeycomb grid. It’s tight, and really pops the subject, but let’s the other lights do their thing, as it’s overall field of coverage is really defined and narrow.
Also experimenting with a new style of umbrella. It’s big. (Called a 4 in 1 by the Lastolite folks, it is 51″ so the coverage is excellent.) Used in reflected fashion, it easily drapes Brad and Jan here in rounded, soft light. (This big source gets trotted out in the last hour, where I show some Profoto large flash units, and contrast that approach with multiple speed lights into one shaper.)
Then, with the addition of a tri-grip silver reflector, and some banter, we ended up here. These lovely folks have been together a long time, over 20 years, as I remember. Many thanks to them for coming onstage.
But turn the umbrella into a shoot through, firing only through the center port, you can make it a character driven light, such as the treatment here of Chet, also a wonderful volunteer from the audience.
The above pix are shot with the exact same light source, the 4 in 1, but configured in a different way, which yields decidedly different results.
Next one of these stops is Cleveland! Having fun doing these, and many, many thanks for all the gracious folks who come up onstage and help me out during the day. Most people don’t imagine at the beginning of the day that they will end up with a photo session in front of 300 plus people, but for a few, it works out that way. Hey, I get a great subject to work with, and they get a new Facebook profile picture. All good……more tk…..
Very happy our St. Lucia lighting workshop merited coverage in the New York Times Sunday Travel section! As we always say, it’s a workshop in paradise, the only one of its kind we do all year. A true destination resort, Anse Chastanet/Jade Mountain remains a lure for me, no matter how many times I’ve visited there over the course of 20 years of going to St. Lucia.
We do lots of lighting, and then guest instructor RC Concepcion steps forward at times during the week to display his wizardry in the realm of post-production. It’s a full week of location lighting techniques, critiques, models and locations. Here’s a link to the workshop week schedule. (Make sure you scroll down the page.)
We made the printed paper as well!
Happy as well for Barbara Cadet, the wonderful island saxophonist in the picture. She put up with me suggesting she play her precious sax in the ocean surf.