Archive for the ‘On Location’ Category
The first time I came to Beijing, in 1987, I traveled in with my assistant at the time, Gabe Palacio, and somewhere around 18-20 heavy cases filled with Sports Illustrated Speedotron units, and the accompanying paraphernalia. (Not the least of which were a couple cases filled with step down transformers. It was like traveling with a pair of anchors. Ah, the good old days! There was lots of stuff about them that, trust me, weren’t all that much fun.)
This time, it’s just me, a couple cameras, a few basic lenses, three speed lights, two Justin clamps, and, thankfully, a couple Pocket Wizard PlusX units. Threw those in at the last minute, just in case. No tripod, bigger light shapers, or stands. Some cards and batteries. Speed light small light shaper or two. Done. Backpack, a roller and suitcase. Suitable pack for many jobs, especially if you have to move fast, as you often do over here. But, I got here, and, several production meetings later, I’ve been shooting stuff like this.
Yowza! I got wind my assignment was shifting away from light hearted run and gun to production just as I left. Made some recommendations, and jumped on the plane. While I was en route, my client, which is essentially the city of Beijing, went out and bought various bits and pieces of lighting gear, not all of which, you know, sort of, kind of, work together. Making all this stuff get happy on location has been a bit of a parable in itself, which I’ll take up in another blog, but man, it’s been a wonderful, exuberant education in how to get some stuff done in this huge and complex city.
(As a for instance, they bought a super boom, which is really a studio piece of gear. I put this thing together in my hotel room, and it looks like a metallic praying mantis, which I think scared off the cleaning lady for a couple days. It’s a hoot trundling this wheeled monster through the streets of Beijing. It’s handy, though, I have to admit.)
It’s honor, really, to interface with several of the top fashion designers in China, and place their magnificent work in the context of significant Chinese landmarks. The pics in this blog are all from the first day in the field, working in and around “The Egg,” which is the National Center for Performing Arts, nearby Tiananmen.
We’ve often got 20 people out there on the streets, shepherding six foot tall Chinese models, kitted out in seven inch stilettos, through the crowds. We’ve, uh, received our share of attention. The gown below, for instance, weighs over 100 pounds. Seriously. Beautiful? Yes. But not what you would reach for when you want to “slip on something more comfortable.”
My thanks to Ariane, Dukes, and the crew at Vision Beijing. I’ve built up a welcome six year history with them, and they are always gracious hosts. We are back in the field tomorrow, and I’ll do more blogging as the project progresses. But, I’ll close with a quiz. Look below. Which one is the fashion model, and which one is the dork?
Oh, and by the way, it’s raining.
Power lines in Saudi Arabia, shot yesterday, disappear into the vastness of the desert.
When I went to the Philippines earlier this year, my friend and fellow shooter JoJo Mamangun contacted me. Would I like to work with his wife, Kris, a ballerina and Cirque du Soleil dancer? I think I simply wrote back something like, “En route.” As luck would have it, she was rehearsing for the role of Titania in Midsummer Night’s Dream for Ballet Philippines. Read the rest of this entry »
I have worked in Russia many times, and it remains a place of eternal fascination for me. It drips emotions and imagery like blood from a wound. It is vibrant, tough, wonderful, unexpected, and impossible. It’s beautifully ornate, but also, at turns, the very definition of austere. It is raw, and wary of outsiders. But, once you gain a measure of knowing and make a bridge, there is very little that is not possible. I have been eyed with the keenest of suspicion, and embraced like a brother. The pictures you make there have a special echo, as sometimes, anyway, they were very tough to shoot. Read the rest of this entry »
Hi, and welcome to all for 2013. I hope the whirlwind known as 2012 deposited everyone on the doorstep of this new year in good shape. Mildly frazzled perhaps, but whole of mind, body and spirit, ready to start turning the blank pages of these new twelve months, with all the unknowns and things hoped for. I remain blessed, I feel, in that I start another year with a camera in hand. Three days of shooting this week. Four next. So it goes. It will not always be thus, so I treasure the moments behind the lens with increasing fervor. I joke about the passing of time and frames with my buddy Bill down at the National Geographic. Another year for him living inside the land of the yellow border, indeed, a place where the wild things roam. Me, being a freelance content provider, I’m just the occasional interloper, trouble maker and, dare I say, problem solver. Though it’s completely open to fair questioning as to whether I’ve created more problems than I’ve solved. Best not to dwell on such matters. Read the rest of this entry »