Did a Kelby Tour stop in London on Friday, and honestly, it was a blast. Had good talent to work with on stage, and the audience couldn’t have been a nicer group of folks. They even stuck with me for one situation as I once again tilted at the TTL windmill with virtually no chance of success. But, I figure, hey, it ain’t my job when I’m up there to just do the “safe” thing. Failure is a form of progress, and photographically, a tremendous source of knowledge. Push the envelope. See what might happen.
Did I mention we had fun?
Anna Passey, trained as an actress, had many moods and faces. She was wonderful to work with.
This was her response to my request to project an illustrative mood for a story in a woman’s magazine about “Men Who Leave.” One shoot-through Lastolite all in one umbrella, off to camera left. One SB 900, no compensation, TTL.
Then I asked a very different face in the crowd to come up, and Jim graciously agreed. I told him he looked “professorial” to me, and he just rolled with it. We positioned the new 30″ Ezybox Hotshoe Soft box above him, and shot this.
If you notice though, his eyes are not really sparked. It’s nice light, true enough, but Jim has glasses and pretty deep set eyes, and I had to get something going to spark them just a touch, and snap up the feel of the light. I tried a snooted grid, made by Flashpoint, which, by the way, makes some terrific stuff for small flash. This one is cone shaped, and comes to a very small circle with a honey comb grid at the end to control the spill of light. Fits the face really well. Ran this second SB900 at minus three EV, with Drew hand holding it, camera left.
The difference is subtle, but it’s definitely effective. Drew has gotten to be a master at taking these small, spot light flashes and locating them. What he does is use the test button to repeatedly flash the person’s face, and get the sweet spot of the light just right. The above pic took about 4-5 minutes to shoot, and Jim was a great subject.
Then we went to town with Anna, using Quadras, one in a deep Octa overhead, and another in a smaller Octa just below her.
I told her she could do anything she wanted, and she, uh, embraced that opportunity.
The background is lit up with one SB900, running on SU-4 mode, and popping off the main set of Quadras. These two pix were shot at F8. But, given her exotic eyes, done by the wondrous makeup artist Katie Cousins, I decided to take a look at what a limited depth of field portrait might do.
Time for the 200mm f2! Without a doubt the sharpest telephoto lens I have ever used. The above was done TTL with a 3×6 Lastolite panel overhead of Anna, with 2 SB900 units firing through it, both in the same group. She is just about standing on the silver reflector material that comes with the skylite panel, and there are two SB900’s popping into that, both on manual, 1/128th power. This, by the way, was the identical setup for the first pic of this blog, the group of wonderful maniacs up top. The system followed me all the way, from f5.6 for the group, to f2 for Anna.
Then we switched up to the Quadras, trying min DOF with them. Great thing about these little puppies is that on “B” port, at min power, you can dump them through a sophisticated light shaper like the deep Octa at like, 8 watt seconds. The result is below.
This is just the overhead Octa. The combo of the two lights gave me too much power for f2, so we replaced the low light with a big silver Tri-grip, and we were done. Anna is giving me the eye here, but I still managed to crack her up every once in a while, just with my generally idiotic behavior.
Like I say, ya gotta have fun doing this, otherwise there’s no point to it, ’cause if you don’t have an absolute love affair with photography, it’s just too hard and frustrating to keep doing. I try to accept success and failure in equal and unequal measure, because if you stick with it, you know what the reward is?
You get to do it again. More tk…..