Shot with the 24mm f1.4. I really have been looking forward to this lens. Fast, wide glass is paramount doing what I do. This past year I logged a ton of chopper time for the Geographic, shooting at dusk or flat out nighttime conditions, so chip performance (D3S) and fast glass with edge to edge sharpness has been hugely important. I’m pushing myself back towards prime lenses. I’m trying to remember how to move my feet. I’m trying not to be on location and stand there like a frikkin’ house plant.
Shot on the streets of Ybor (“Call me Eye-bor”) City during the Safari pre-con get together at PhotoShop World in Orlando last week. Had a hoot out there with a nice bunch of folks, tagging along with my bud the Mooster. Ybor is a real nice, weird place. Friendly people. This gentleman was kind enough to allow me a snap in good light.
Just bought the 24 1.4 from the magic man, Jeff Snyder, at Adorama, which is where I buy all my stuff. He was able to reach into the system and re-direct the shipping so the lens caught up with me on the road. Jeff ([email protected] –go ahead, use it, tell him it’s my fault) routinely pulls gear outta the air and pulls the levers needed to make stuff happen on deadline, which is cool. Tougher to make that happen talking to an 800 number.
I still have my 28 1.4, though Nikon stopped making that years ago. From what I know the construction of that lens entailed the use of lead, hence it was banned in a bunch of countries, and Nikon said forget it. I guess the powers that be in these places understandably wanted to save photographers from themselves, knowing we are insecure babies and when things go wrong on location we just revert to a preverbal state, curl into a ball, and start rocking in the corner while sucking on our lenses. I personally don’t suck on my lenses, I just routinely suck when I use them. There’s a big difference.
But I still have it, even though there’s an incurable aberration on the back element, which makes it less than attractive on Ebay, so I just hang onto it. You can’t see the little ding when you shoot at 1.4, and that’s all I shoot that lens at. Which makes it kinda like my old catadioptric 5oomm mirror lens, which has a fixed aperture of f8. I just look at my 28 as a fixed aperture lens as well, only faster and easier to focus.
Writing this on Saturday night. Another wild night at JFK airport. Non-stop excitement. Bound for Abu Dhabi. Never been there, but I’m sure in its’ own way, it’s just as interesting as Ybor City. More tk….