Got a good class here in Santa Fe. We started rocking and rolling yesterday, just examining light shaping tools, exposure differences, control of light, both with big and small flash. As I said during the day, we shoulda all been arrested, ’cause we were having too much damned fun. Professional boxer Clara de la Torre came in to be our demo model. It was cool. We did some pretty simple, straightforward umbrella stuff, and then decided to head in the direction of bad ass light.
I’ve messed around with this type of light before, which is pretty ideal for athletic bodies. Thing is, I mostly have done it with small flash. For this, we kinda went gaga, and mixed 3 different light sources. The main overhead is an Elinchrom Ranger plugged into a beauty dish. It is, as you see, table topped over Clara, coming right down on her, shading her eyes, making her look like she belongs in the movie poster for Goodfellas. Then in the background, we got identical strip lights going, both running off Quadra packs and heads. Right down at her knees are two SB900 units, banging into a silver Lastolite reflector sheet. Then, in front of her, and low, is another SB900, zoomed to 200mm to tighten the light spill, and further concentrated by a Honl 1/8th inch grid. On top of the grid I layered some gaffer tape, to cut the light down to a super specific spot, i.e., Clara’s eyes. Then of course I drove Dustin and Sarah, the studio assistants, completely nuts by having them edge down the spill of the beauty dish with hand held tri-grip solids. As you can see, they took that puppy down to basically a sliver of light. Sarah’s side is more completely flagged. Dustin kinda screwed his side up:-)
Then, I opened that Pandora’s Box known as Photoshop, which to me is like a large, ornate mansion with about 75 rooms and 15 bathrooms. I’m standing in the lobby, looking for luggage assistance. But, here’s the great thing about the internet. I hit one of my stored Strobist links and voila! I got a path to follow in PS. DH has a detailed high pass layer deal in there that is simple but pretty cool. Naturally, like a kid with a new toy, I went Nike on the file, and got the top result. The file outta the camera is below, after dropping a black point. Of course in the original file, there’s my Honl grid, poking into the bottom edge. Didn’t bother me too much, it being in a dark area. Rather have the light where I want it in this instance, than pull back and lose some of the snap and concentration in the face.
Did I overdo it? Dunno? I’d love to hear if you love it/hate it. The light of course, was what I was after during the demo. Really liked the feel of the strips. Nice and smooth for the rim. Did this on previous occasions with mutliple small flashes serving as the backlight, triggered again by an overhead beauty dish. Got the below, which is nice, but as you can see, the rim light effect is a touch more splashy and uneven, due to the smaller sources.
This is also done without the benefit of the low, frontal, gridded SB unit, hence really nothing in the eyes. This is Aaron, who’s been on the blog before and is a supremely capable athlete. This iteration of this style light was just about attitude and physicality, and not dedicated to seeing eyes and facial detail. More tk….