Dancers are pretty great, ya know? Hardworking, creative, physically gifted, amazing to watch and even more amazing (and challenging) to photograph. I’ve been really blessed to work with some of the most wonderful dancers in the world. It started as a hobby, a sideline, a byproduct of having a studio apartment in NYC right by Lincoln Center, home of two famous ballet companies. I started seeing all these ballerinas in the neighborhood duck walking through the streets to the rehearsal studios, and I became intrigued.
Fast forward 25 or so years, and I am still shooting dance, and happy to be doing so. Teaching currently in Dubai, at GPP, and having a blast. Great workshop, very warm hearted people, and a terrific staff that smooths the way for all the instructors. We’ve got a crew here from all over the world, encompassing a wide range of photo skills. We’ve even got the mad Englishman, Drew Gardner, who from what I hear has all his students alternately thrilled, involved, and terrified.
My classes are about light, and for subjects, I just say, hey, you know, dancers would be great. Enter the Extremers, a Dubai based hip hop group, who, in my short experience with them, appear to have no “off” switch. Typical question…”Uh, can you jump, spin around, tuck your legs, and hang in the air for about 3 seconds while I shoot several frames?” Answer: “Sure!”
Did a few quieter frames as well….
Tried a couple things here. The room I shot the leapers in had a good quality of bounced, warm light already pouring into it from the the fading sun, even though the sun was directly behind the building. So I winged a Ranger pack from the direction of the sun, heading for the big wall, and thus reflecting onto the dancers. Gave that a little camera point of view fill with another pack just overhead of the lens. The fill pack is way low, and the main is maxed out. Can’t say enough about the Rangers. Dependable, rugged, packs a punch and in a day when every watt second you want to buy is like another point on your mortgage, it is affordable.
The lone dancer is shot with the lone Ranger again, blasted through the glass bricks. Sun was already down, but you couldn’t tell when that puppy hit the glass.
Then I got a little fancy with SB900 units. Put two each on camera right and left, low, and blasted them at this leaping line.
Got crossing shadows, which is most of the time a no no, but it seemed fun with all the dancers in the air and their various shapes making Halloween shadows on the drape. Then, I thought, hey, let’s try a triple exposure with two TTL groups governing the first and the third exposure, and the middle exposure running as available tungsten light! After all, this is an advanced class. A little voice in my head whispered, “You’ve never tried a flash mix triple exposure before, numnuts! Think you might wanna test this before you try it in front of a bunch of people???!!!” Naaahhhh…..I guess I had a bit of a fever after watching Natalia, our subject and a wonderful belly dancer shimmy across the stage a couple of times. I mean her arms are making smooth, graceful shapes, her shoulders are squared off, and her face is a veritable oasis of serenity, and all the while her hips are oscillating like a high speed paint mixer.
So…set the D3 to triple exposure, got Group A and B going to be the bookends flashes, and tested them a bit for exposure control. Tried a couple tests for the hot light middle exposure, and then shot a few. Let’s call it a work in progress. Got a couple things coming up where doubles and triples will be important to handle in camera, so this was a good beta to figure where problems crop up. More tk….