Finally…it is done. 320 pages, and the thing kicked my butt, up, down and sideways. I thought, naively, hey, write a book about small flash…cool!
Thing is, you start talking about light, you start talking about color, and exposure, and f-stops, and EV compensation, and white balance, and well, the whole technicolor enchilada. I was really gettin’ stymied. The book….the book……the book. Everyday I tried to write I would plop myself down in front of the computer and stare at the screen with about as much energy and appeal as a big turd that just dropped out of a tall cow’s ass.
I finally turned a corner, thanks to Annie and my long suffering editor, Ted Waitt, with them beseeching me to drop the numbers and the specifics and the half stops of clogged imagination and just write about using a flash. So I mentally put myself at the front door of my house, gear in hand, and just started writing about everything (well, not everything) that crosses my mind as I go out to shoot a small flash job. It really cleared the decks of the tramp steamer of my brain and became a section up front in the book called, “What I Use and Why and When I Use It.” It runs pretty long, surprisingly, seeing as I’ve got the attention span of gnat and a great deal of my memory bank is used up by storing useless movie quotes.
But this really did open up the barn doors and cleared some cobwebs. I went through everything, tips, tricks, exposure modes, types of flash, types of light shaping tools, strategies, EV, mixing light, you name it. It marries up with a couple other sections on holding cameras, and also holding flash, general notions about quality, color and direction of light, and pictures of the whole camera bag, every item that goes out the door. The whole chapter is called, “Nuts and Bolts” or “Don’t Worry. As long as you hit that wire with the connecting hook at precisely 88mph the instant the lighting strikes the tower…everything will be fine.”
Also did a back section that is all buttons and dials.
The book is Nikon-centric, obviously, cause that’s the system I use, and to the extent I talk over buttons and dials and where they are and what they do, they are Nikon buttons and dials. But the much larger part of the book is devoted to using light, in this case, light that comes from hot shoe flashes. I try to show progression and the tools that are used, and how to use small flash in an intuitive way.
There’s a bunch of stuff on light shaping tools, cheap and easy, others, more of a commitment….
There’s several sections of the first chapter, in which one small flash is used…only one….
Some advanced stuff too…
I talk a bunch about color, and how to use, quick and easy…
And everybody’s favorite thing….
And I show progression, from the pop up flash treatment, to a sophisticated quality of light, in minutes, using no more than two flashes…
And of course, Numnuts did some sketches…
So…it’s done. It’s a big reason the blog has been intermittent of late. But it is officially out the door, done deal, and it’s up to the printer now to follow the type out the window, as they used to say. The Hot Shoe Diaries, Big Light from Small Flashes, is out March 12. That’s the date it ships, so dunno when that translates to it actually getting on the shelf. You know, it leaves the warehouse in a shrink wrapped pallet and gets put behind Mrs. McGillicuddy’s Ikea order, and the truck shows up there and she’s at the Piggly Wiggly, so they can’t deliver, which means that pallet stays stuck on the truck for another day or so. Then it makes its way down the interstate on an overnight, and it gets delayed a bit by rain, so it sits in the truck in the parking lot of the Extaxy Gentlem, er, the truck stop, and finally it gets to the loading dock, and the crew there is on their lunch/reefer break, and finally it gets on that little cart that they use in the bookstores and out into the aisles and the dude putting the books on the shelf sees the title, “Hot Shoe Diaries,” and puts it in the romance section, or worse, in the adult titles section, you know the one with the opaque plexiglass covers and the big signs warning you that if you go in there you might actually see a breast.
There’s lotsa stuff that could happen along the way. But it is done. More tk….